My very first thought was” I expect the photographer includes a rubber lens cap over his lens”
You see it’s an NBA rule which still photographers should have rubber lens hoods in their own lens to operate on the sidelines. The rubber hoods are a security precaution to stop gamers from cutting themselves should they collide with a photographer’s lens.
Guru Sports Photographer
In James’ case, I do not think that it could have made a difference since it seemed to me that he struck the camera, not the lens.
That is crazy metal prints. There were chairs behind him which cost tens of thousands of dollars holding lovers, a still photographer on his left side and also the goal on his side.
Throughout NBA games photographers need to sit down on the ground with their legs crossed in a really compact space. Network and stadium photographers need to take a seat on a little stool with little wheels. Sitting on the ground in that place during a whole match contributes to leading leg cramps and paresthesias, nerves at the foot stop functioning correctly, causing an unnatural feeling.
From the 1990s the basketball lovers’ chairs weren’t as near photographers as they’re now. On several occasions, I managed to roll out of this way to prevent being struck or stepped on. That’s not true now when photographing some NBA, ACC or SEC baseball matches.
Luckily nobody was seriously hurt. But, that wasn’t true with my final ACC baseball match in 2013. Throughout the match, the foot and knee of a Georgia Tech player struck me in the head as he tried to leap over me.
His other foot caught the side of this camera that somehow drove my thin camera strap below the fingernail of my finger in my right hand. That caused pain, a bad sprain and also an illness.
As a photojournalist who has hundreds of college and professional events both nationally and globally, it’s an established threat among sports photographers who at some stage, you might get hit by an athlete, enthusiast, creature, baseball, baseball bat, soccer, softball, mascot, race car, bowling ball, hockey puck, glass, bull feces, bird droppings, fighter’s blood and spit, beer by some drunk fan, bitten by a snake or enormous bug and my all-time favorite, puke by a drunk NASCAR enthusiast.
That doesn’t involve getting stepped on by an NBA and NCAA official, preventing getting beat by Philadelphia Eagle Fans, cussed by a losing trainer, cussed out by gamers, cussed out with a groupie since you won’t offer an athlete her amount, cussed out with a preacher’s wife as you didn’t picture her cheerleader daughter, getting a 2 page letter describing why your photograph of a quarterback sack should have been imputed to his son and pursuing a Yankee fan who caught one of your cameras following the World Series.
If you’re wondering, all those things occur to me chasing the Yankee fan. That occurred to a Sports Illustrated photographer following the 1996 World Series at Yankee Stadium.
In terms of my stolen gear, I caught the photographer who uttered my Nikon lens and camera through the 1994 Winter Olympics at Lillehammer, Norway.
It’d have killed me if it had been a couple of inches high in my throat. Within moments of being struck, Atlanta Braves coach Jeff Porter was at my side with ice and asking the typical questions he asks gamers who are hit in the head with a baseball.
So if your objective is to develop into a significant league sports photographer, then be certain to not just have a superb grasp of the arts, but are also in great health and have good insurance.
When a 6′ 8″ LeBron James drops you, or even a hockey puck comes whizzing in your mind, do not wear your heart on your sleeve. It is all a part of a sports photographer’s land.